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During my career as a trainer for two feature animation studios and one game studio, I have had rooms of computers where artists would come to learn what they needed to know to do their jobs. In fact, I was fortunate to have never been limited in my quest for knowledge as it applied to animation. I was not confined to one area of animation. In this, I can say my experience was different than most. One is usually pigeonholed into one area. In a large production house, this is not usually the case. My cog was allowed to fit and morph and change as needed throughout the film. My cog, however, was a unique and special one. I am one of many who worked on feature animation films and was only a small, small cog in the feature animation gear mechanism. I rarely received much more than a “special thanks” credit on any film.
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However, I have never served as a great artist. My résumé says that I have worked at great places. INTRODUCTION AND AN APOLOGY Before we begin this journey together, I must apologize to you. 156 7: Camera: Flat, Limited, and Deep Space. 87 5: 3D Characters with 2D Parts (3D Leads). 85Ĥ: 2D Characters with 3D Parts (2D Leads). 29Ģ: Iterations for Developing a Pipeline and Nailing the Moments. 1 1: Hybrid Animation: The Main Problems. Working together to grow libraries in developing countries | | CONTENTS Introduction and an Apology. ISBN: 978-5-2 For information on all Focal Press publications visit our website at 09 10 11 12 13 5 4 3 2 1 Printed in the United States of America
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TR897.7.O42 2010 006.6′96-dc22 2009048178 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Includes bibliographical references and index. Hybrid animation : integrating 2D and 3D assets / by Tina O’Hailey. Library of Congress Cataloging-in-Publication Data O’Hailey, Tina. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Notices Knowledge and best practice in this field are constantly changing. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher.